For the first time in nearly thirty years I got my charcoals out to draw naked humans ...
I always loved life-drawing (life-painting was even better) ... the human body is like a Simplicity sewing pattern, cut from the same cloth and to the same shapes yet with varying quality of materials, widths and workmanship .
The fluidity of the familiar muscle, fat and bone should be as easy as teaching a child how to draw a cartoon cat starting with a horizontal figure-of-eight ...
But it aint because drawing people is harder than I remembered.
Sod debates on perspective, analysis, watercolours and oils, unless you've got a model who is a witchy-like familiar you won't be able to see the wood for the trees.
I turned up today for a two hour class (in between the mobile maliciously buzzing several times to alert me that the world had gone pear-shaped because I'd dared set foot outside the door). There were two fantastic models posing on cushions in front of the two-bar heater. But they weren't Judith .
Judith was our major and favoured model at art college. She was short, fat and creamy-white with varicose veins and dyed black/purple hair that cascaded down her particularly shaped back in it's particular way. We painted her sitting up, lying down, dressed, undressed and sideways, but I don't think we ever spoke to her except to grunt 'thanks'
I looked and measured, filled in and rubbed out, and wondered nearly all the time about where Judith is now ...